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A mini-toggle bypassed the volume control for instant lead mode.
The vibrato was a non-locking Wilkinson VSV vibrato combined with chrome locking Sperzel tuners.
The body was now made of alder, and the maple neck was bolted on, with the four-in-line headstock.
The Mirage was equipped with three Seymour Duncan single-coil-sized humbuckers (all perpendicular to the strings) – a Hot Rail at the bridge and two split-rail Vintage Rails.
These were controlled by a five-way select and one volume and one tone control.
This was essentially the same as the Archtop Artist, except it lacked body and fingerboard binding, and had dot inlays.
The 22-fret rosewood fingerboard had a 251/2″ scale, dot inlays, and a Hamer three-and-three head.
After the relocation, the Artist Archtop became known as the Artist Custom, the name it carries today.
Also introduced in ’95 was the Studio Archtop Artist.
Other features similar to the Sunburst Archtop included a mahogany neck, Hamer three-and-three headstock (blackface), a bound 22-fret, 243/4″ scale rosewood fingerboard with crown inlays, finetune bridge, stop tailpiece, twin humbuckers, three-way select, volume, and two tones.
There were two primary differences; first the Artist Archtop was a semi-hollowbody with a sound chamber and f-hole, and the second was in pickups, which were Seymour Duncan Seth Lovers.
By ’96 the name had changed to become simply the Artist Studio (Model GATA-SO).
Over the course of the year, his number was saved under various pseudonyms." and before I knew it I was digging through the phone to the blocked caller list, unblocking whatever name I had him saved as, and texting."I miss you.""I miss your face.""I want to sit on your face.""Have you read this book?